Review: Story, Tooley Street


Customer: “That was a really good tasting menu. X and Y were particularly brilliant. I must admit though, we all thought the four desserts were a bit repetitive, all basically ice cream. One dish with a pastry element or a bit of cake might have been good…”

Waiter: “To be honest sir, you’d never get anything like pastry or cake on a menu like this. I’ve never seen it in all the restaurants I’ve worked in…”

Customer: “Oh, silly me, we must be simple country folk who never eat out and haven’t enjoyed cake and pastry elements in tasting menus right across the UK and around the world. D’oh, I’ll just shut up now shall I?”

Okay, I didn’t say the last part, because after all we had just enjoyed a very good meal, but I certainly thought it. It really doesn’t do a waiter any good to tell the customers that their feedback is basically crap and unwanted, even if that’s how he feels. It certainly was a bum epilogue to what had been rather a good Story up until that point. D’you see what I did there?

Story sits on its own in a smart little wood and glass building at the Tower Bridge end of Tooley Street. The interior is darkly modern with some fun gothic elements in the wall art, the raven perched overhead and the collection of books across the room. It’s good, ‘cos I love books. There’s some vague idea of the menu as a narrative, but really it’s just food that makes you come over all Dickensian. What else could you do, faced with a dish of “potato, turnip and coal”?

This is a proper ol’ many-course tasting menu full of invention and intention. Seven canapes showed up in quick succession, including a delicious bite of some of the nicest black pudding with not-quite-enough apple puree on top, rabbit fingers (like fish fingers, but rabbit and topped with spiffy bergamot-pickled carrot and tarragon cream), startling faux-Oreos (squid ink biscuits sandwiching a smoked eel puree) and many more.

Next I got to be smug, because I had spotted that the candle on our table was burning faster than it ought to, and sure enough the “wax” puddling in the candle holder was actually beef dripping. The bread was good and grainy, and with a vinegary tongue and jelly relish to balance the dripping this was perhaps my favourite bread course ever. ‘Cos it was fun, as well as tasty.

We then sailed through some magical starters, including a disc of foie gras with a brilliant bitter brulee topping and a bright pear relish, slivers of scallop and the aforementioned dish of potato, turnip and coal. This turned out to be some very cheesy mashed potato with rich butter hiding a puddle of coal oil (alas, more drama than taste) and gifted with two tiny turnips. I love tiny turnips. Neat dish.

The main course was a toothsome piece of beef with a bitter watercress puree and groovy whole grains, the whole dish very salty; only forgivable because on a menu like this the main course is half-a-dozen bites anyway and the salt cut through the bitter cress.

So to the puddings. The “palate cleanser” has taught me what rapeseed oil ice cream tastes like; it tastes like licking a barnyard. Don’t get me wrong, I loved every novel and challenging taste this evening (and the jerusalem artichoke ice cream was yet to come!), I’m just reporting for your interest that rapeseed oil ice cream is one taste I won’t be seeking out again. The next dish, of dill sorbet and almond ice cream, was absolutely smashing. Then there was a milk ice cream with textures of milk. Then the jerusalem artichoke ice cream with pear, another new dessert experience for me that I’m glad I’ve had but won’t be scanning menus for in future. And you see my point about the repetitive desserts?

Where did we get to? I enjoyed the heck out of Story, the chef here is clearly loving the challenge of both pulling together a menu with a real sense of theme and focus, but also making sure that he innovates and experiments at the same time, and I’m more than happy to go along for the ride. It’s a bumpy ride over one or two dishes, but then I said exactly the same about Noma; y’know, best restaurant in the world two years running Noma. Innovation is tough. The ten course menu is £80 and I think that’s about right for the effort and technique on display. There’s no a la carte; it’s 6 or 10 course tasting. The wine list is on the steep side; we had to roam into the £50 range to pick bottles we actually fancied. If you like food you can talk about, give it a go.

Review: Fish Kitchen, Port Isaac

Nathan Outlaw’s second outpost in Cornwall is the nifty little Fish Kitchen in nifty little Port Isaac. This dinky little fishing port crouches at the bottom of seriously big cliffs and is vested with far more restaurants than the local population could ever need. Actually, I’m not sure how much of a local population there is; there are signs to suggest that every single twee little slate-roofed fisherman’s cottage has been a holiday let for many years.

So, the Fish Kitchen. It’s all scrubbed tables and bright, casual seaside vibe within the small dining room. The staff are friendly, explaining the concept of the menu for those who can’t work out what “small plates” might mean, and asking which was your favourite dish at the end.

Well, the salt cod in red pepper sauce was my favourite dish; a beautiful little medallion of home-salted fish just briefly seared on the grill. The sauce wasn’t exactly bursting with capsicum, but the fish sold it to me. I’m a sucker for salt cod. Crispy battered ling with wasabi mayo and a pickle salad was great, likewise the beauty of a smoked haddock scotch egg. I didn’t quite get the queenie scallops in hazelnut and coriander pesto; the coriander flavour was completely cooked out and wrong for hazelnuts anyway, and the grainy texture didn’t favour the dainty little scallops. More positively, there was a great gratin of fennel and parmesan, the fennel taste really punchy. We devoured a moorish plate of shoestring potatoes too.

And if you can restrain yourself on the small plates (that’s seven we shared) you have room for pud. Which was worthwhile, as Maureen enjoyed a gooey and delicious rice pudding that was bang-on for texture, while I ravened my way through a very tasty piece of grilled pineapple with cream cheese and lime ice cream. Zing!

All this sounds pretty damn good, and it was. The sticky bit is the bill, which not including the 4 glasses of very drinkable house white came to £75 for the two of us. Not astronomical, but pushing the bounds for a light meal in a Cornish fishing village. We were staying for four nights in Port Isaac, and I would love to have eaten at The Fish Kitchen every night. My wallet just refused.

Review: Restaurant Nathan Outlaw, Cornwall

Sometimes I like to fool myself that I’m a local when I visit Cornwall. After all, I must have visited a dozen times. I know all the obscure villages; Praze an Beble, Indian Queens, Perranzebuloe, Mabe Burnthouse. I know how to pronounce Fowey and Mousehole (Fo’y and Mowz’l). And I never, ever, ever have brown sauce with my Cornish pasty.

Obviously I’m not a local – you have to have been born here, lived through the loss of the tin and kaolin industries, and probably come to accept the fact that hordes of summer visitors flocking to the caravan parks, holiday beaches and Eden Project in the summer are now what keeps the local economy afloat. Increasingly in recent years the visitors aren’t only here in the summer, and are coming for the food as well as the surfing. And although it was genial Mr Stein who started it all, these days the King of Cornish Cooking is generally reckoned to be Nathan Outlaw. Where did his family get that name, though? Mr Baker… Mr Smith… Mr Thatcher… Mr Outlaw? Hmm. So what does your family do for a living, eh?

Totally distracted, sorry. Restaurant Nathan Outlaw

The St Enodoc Hotel doesn’t overlook the sea, which is a bummer. It’s a big, smart country house hotel in the middle of Rock village that has been given a totally cool, modern makeover. It’s a good’un, the owners (or designers, or whatever) obviously share my taste in furnishing, I basically wanted to nick stuff. That’s Mr Outlaw’s influence, surely. Service in the restaurant was friendly and professional; sommelier and maitre d’ seem to be a husband and wife team and looked after us well. There’s no a la carte, only the tasting menu.

For a hundred quid tasting menu I was surprised by the lack of canapes or amuse bouche. Here’s your bread, here’s your starters. The bread was good. The starters were excellent: a delicate piece of cod with bacon bits on a funky cauliflower puree, and a plate of tiny wobbly queenie scallops in a sweet broth topped with crisp celeriac. Not sure why the two starters were brought out together, I’d have been happy enjoying one then the other.

The next course was almost divine. A piece of lemon sole that could indeed have been filleted from an angel, laid over a crispy battered oyster and a mixture of leek and jerusalem artichoke with a dill broth. This was followed by another masterpiece of fish cookery; gurnard with firm flesh and crisp skin, served with a rich porthilly sauce made from roasted mussels and discs of yellow pickled kohlrabi. I’m not good enough to put into words how well these dishes worked.

Turbot on the bone was the main event, with a scattering of tiny pickled mushrooms and vivid green kale. Nice crispy potato terrine with this, for which I must applaud Mr Outlaw as this is the first main course I’ve had on a tasting menu for a long time that has put potato on the plate. Did I mention the turbot was perfect?

A cheese course interjected next; a goaty piece of crispy breadcrumbed ragstone sitting in a puddle of melt, served with some fruity pieces of beetroot and walnut fragments. This was a r-r-r-eally good cheese course. After all this superbery, I feel a bit sad to report that the desserts didn’t cut it. Blood orange curd wasn’t orangey enough, and the rhubarb and crumble with it couldn’t make me squee with joy. Just nice. The pear tart has a sticky, grainy hazelnut coating that was… well, I love hazelnuts, I’m just not sure chef has hit upon a winning texture here. The yogurt ice cream with it was nice enough.

So, what can I say? I’m quite confident that this meal included three among the best seafood dishes that I have ever had, Nathan Outlaw is an amazing talent with anything you can pull slippery and wriggling out of the ocean. But on this outing, he’s not so magic with puds. And any other £100 tasting menu I’ve bumped into has included at least a couple of nifty little tastebud-tinglers to start your meal, maybe a pre-dessert too, so the absence here feels a bit stingy. C’mon, couldn’t you at least fry up a bit of cod skin and dust it with celery salt? A trip to Nathan Outlaw’s feels a bit like a pilgrimage to a shrine of seafood gastronomy – I’ll leave you to decide whether that’s your thing or not.

Review: 5 North Street, Winchcombe

It was very good of the owner of 5 North Street to phone me up a few hours before our booking to explain that they had no other bookings that evening. Not “…so we’re not going to open, sorry” as I’ve heard of happening elsewhere but “…so you’ll be alone in the restaurant, if you don’t mind?” I imagined they were probably rather hoping we’d opt for another day, but this was my only free evening for a while so I stuck to my guns. Turns out that Marcus and Kate Ashenford live right above their cosy oak-beamed dining room in the bucolic little market town of Winchcombe, so they probably weren’t too put out.

As an aside, this was the Tuesday evening just after Valentine’s weekend, so perhaps understandable! Also shows how far behind I’m getting with my blog…

Anyway, I rather like being alone in a restaurant. There’s an atmosphere to it, especially if the surroundings are pleasant and the food and service are good. They’ve got all three right at 5 North Street so that was pretty darn fine by me. The decor is humble for a Michelin star decorated establishment, the walls a dark brick red and the tables glossy black, but it all fits the town.

Absolutely nothing wrong with having four neat squares of crust-removed Welsh rarebit for canapes, the cheese still hot melted and the pickle beneath tangy and sweet. The amuse bouche of roast garlic and shallot soup was punchy and warming, fighting valiantly against the 200th day of crappy weather going on outside. We both picked the same starter: mackerel fillet with crab and potato galette and pickled beetroot. This was a soothing and homely dish, the mackerel cooked perfect with crispy skin, the crab only slightly there in the couple of fat little potato cakes and the beetroot delicately pickled. It would have been a lovely light lunch, but a bit big and simple for a snazzy starter.

Especially as it was followed by a couple of knock-out main courses. My venison was four perfect medallions of pink loveliness, accompanied by deep, rich and wintery flavours from choucroute, baked beans, super-sticky parsnips and a gutsy little game sausage. The sweet and sour gravy was glossy, clear magic. This was very spiffy. Maureen’s veal was just as good; softly melting meat and a pretty good nose-to-tail attempt with cubes of tongue, a ravioli of tail and pieces of kidney.

Our shared dessert, a presentation of autumn fruit, was my favourite pud for quite some time. The apple parfait sprinkled with bright green sugar carried the taste of cox’s orange pippins straight from childhood. The apple tart next door was crackingly good in delicate pastry. In the middle sat a tiny pint of guinness, which turned out to be a blindingly good mulled wine jelly with cream on top. Next door to that was a pretty pink poached pear with spicy cardamom ice cream and a cinnamon – or surely cassia? – tuile. Last but not least, a little jar crammed with a delicious plum crumble, the crumble baked with enough star anise to make it sing like Barry White.

Two dishes at 5 North Street were cracking, and maybe we just picked the safe starter. The food was £50 each for 3 courses, and I think that’s probably about bang on for the quality. There’s a decent wine list with a range of options, and we had a good half-bottle of claret. I enjoyed the peace and quiet, but I suppose when (not if) we come back we’ll probably have to put up with some fellow diners!

Review: The Daffodil, Cheltenham

I was getting a distinct sense of deja vu.

I was reading the menu at The Daffodil and a dish jumped out at me from the starters: steak tartare with corned beef. Hang on, didn’t Maureen have steak tartare with corned beef at Le Champignon Sauvage last weekend? My gaze wandered into the main courses and landed on a tasty looking dish: lamb with sweetbreads and goat curds. Hang on, didn’t Maureen have lamb with sweetbreads and goat curds at Le Champignon Sauvage last weekend? I was getting a distinct sense of deja vu.

But to be clear, The Daffodil isn’t setting out its stall as a bastion of inventive haute cuisine with a celebrated chef at the helm. Nope, The Daffodil’s pitch is pretty straightforward. It goes: “yes, this is a converted 1920’s art deco cinema called The Daffodil, yes it looks bloody fantastic doesn’t it, now here’s some good food you can enjoy while soaking up the atmosphere.”

I started with some crispy breaded cubes of pig’s head with an apple puree, an onion salad and crispy pig’s ear. This was all pretty good, bags of flavour and the pig’s head just sticky enough to be good. Maureen’s beetroot terrine with breadcrumbed goat cheese was a very pretty plate, tasty too.

For main course I did go for the reprise of Maureen’s main course from Le Champignon. It was a lovely lamb chop, some very smartly fried sweetbreads and lively little lumps of goat cheese. I’d definitely expect curds to be softer. It’s not often you get to compare two nearly identical dishes in different restaurants just a week apart. David Everitt-Matthias needn’t worry, as you’d expect the 2-star Michelin version is a mile ahead. But hey, I’m reviewing The Daffodil, and this was a darn good main for £17. Maureen’s main was a bit of a Ready, Steady, Cook of an ingredient list: hake, orange, anchovy, broccoli, almonds. Apparently it was “okay”. Meanwhile my brother and father were sharing a splendid looking chateaubriand and making cooing noises like a pair of chuffed pigeons. I snaffled a bit, soused in bearnaise, very good. From this I surmise that your best bet when ordering at The Daffodil is to look for classics.

Mind you, my pudding wasn’t quite as classic as it should have been; baked alaska with poached rhubarb. Good rhubarb, but the alaska was essentially white marshmallow fluff with a blowtorch played over it. Then again, Maureen’s bread and butter pudding with vanilla ice cream and chocolate sauce was dead good.

We enjoyed the heck out of our meal at The Daffodil. It was a family celebration, there was live jazz on the small stage in front of the open kitchen, which was just brilliant in the art deco glory of the surroundings, and the food was pretty good. If the two of us had come alone to try out the food on a quiet midweek lunchtime, I think we’d have been ambivalent. So really I gotta recommend The Daffodil, it’s a brilliant place for a celebration, but the bestest (or best valuest) food in Cheltenham it ain’t.